Lil Uzi Vert and A Boogie Wit Da Hoodie gathered the team for a parking lot party in “Flood My Wrist” video.
Lil Uzi Vert fans were excited to see the rapper deliver on his promise to keep the new music coming Wednesday when he showed up in the music video for “Flood My Wrist” along with A Boogie Wit Da Hoodie and Don Q. The production, which seems to have been filmed pre-quarantine, features the trio partying amongst strippers in their lavish homes, inside a strip club, and in the club’s parking lot. The song is credited primarily to Boogie and Don Q, both of whom are represented by Boogie’s label, Highbridge. Some fans speculate the label may be planning a Highbridge album featuring all the company’s artists.
The video, which was directed by Picture Perfect, features trippy imagery and plenty of beautiful women showering in cash. A Boogie takes care of the hook throughout the song while Uzi and Q take turns delivering braggadocious verses about their extravagant lifestyles and love for partying. The scenes are notably packed with crowds, a rare sight these days in the era of the coronavirus pandemic. The song and video offer a kind of escapism for fans who are unable to have fun outside their houses.
Lil Uzi Vert was conspicuously absent from the music scene for a long while before the release of his much-anticipated album, Eternal Atake, so fans are happy to see him continuing to put in work in the studio. A Boogie Wit Da Hoodie on the other hand seems to be dedicating a great deal of his time and energy into building a successful label, and has spoken before about his desire to create superstars and earn a powerful reputation in the music industry. Only time will tell if Boogie is able to sustain his career and the careers of those he represents during this tumultuous time in history.
Dancehall hitmaker Stylo G adds CPL legend Chris Gayle to his impressive list of remix collaborators.
If there’s anything Stylo G has mastered in his short time on the scene, it’s unique, magnetic riddims and star power remixes. The newcomer has secured celebrity medleys with industry heavy-hitters Vybz Kartel & Nicki Minaj on 2018’s “Mmhmm” and Sean Paul & Spice on the party anthem “Dumplin.” He recently turned his sights to the sporting arena for some legendary talent to amp up his pre-summer smash “Too Hot,” originally released back in April. The remix features none other than former West Indies Cricket Captain Chris Gayle, who takes a swing at his first record after an impressive T20 career. The visuals combine sultry neon lit scenes with sunny, outdoor party vibes, plus an all female cricket match with the “six machine” sportsman as the watchful umpire.
Playing up his longtime moniker, “Universe Boss” the former batsman drops some serious bars, bowling us over with some clever punchlines on his extravagant, hard-hitting lifestyle: Ah di millionaire laugh/ Chris Gayle, di Universe Boss/ Man hotta dan a pepper inna pot/ Stylo time fi shoot di verse fast/ Nah stop ah four, mi ah slap dem fi six/ Mi nuh waste time check di watch pon mi wrist/ Deh pon di road like tyre, ova di worl’ man hot like fire/ Mi ah get gyal long before cricket, she book it, nuh miss it, first class ticket/ She see mi style an mi neva haffi trick it/ Di same night mi haffi bowl out di wicket..” he spits.
Stylo delivers with his usual grit and genius, stunting like the remix boss that he’s proven to be time after time. There’s no doubt among fans that this one will steal the season, batting away the competition as it climbs the charts.
Eminem says he has no issues with Diddy’s Revolt and hopes to work with them following their “F**k You Too” slight in response to his disrespectful leaked verse.
Last weekend, the original verse that Eminem recorded for his 2019 song with Conway “Bang” leaked online. In the verse, Eminem, who was not a fan of Revolt at the time, said: “f**k Revolt,” which led to them returning the insult. “Yeah, shout to Puffy Combs, but f**k Revolt,” Em raps. “Y’all are like a f**ked up remote (Ha-ha)/Now I get it why our button’s broke/’Cause you press him but he don’t do nothing though (D**n it)/’ Specially when it comes to punches thrown.”
Revolt later responded with an Instagram post saying, “F**k You Too Eminem,” with their name signed to the closing salutation. While some fans thought it was petty seeing as it was in response to an old verse that the rapper never actually used, others thought that in any case, this is not the time for this beef. Revolt implied that as well, when they captioned their post, “Now back to our movement” with a black fist emoji. Apparently, among the slew of people who agree is Slim Shady himself.
Em took to social media to respond to the slight in a lengthy post acknowledging his wrongs. “I agree with Revolt,” he wrote. “This is an unnecessary distraction. I never meant for that verse to be heard, I was heated in the moment and thought better of it and decided to pull it back. Stuff that I never intended to release continues to leak from the huge WeTransfer hack. I don’t have any issues with Revolt. I’d actually welcome the opportunity to work with them on some positive things and turn this in a different direction.”
In the leaked verse, Eminem is also heard taking shots at Joe Budden, but surprisingly, the podcaster was not at all upset. He tweeted, “Joe loves everybody” after the verse went viral online. Also, while discussing it on The Joe Budden Podcast, he said that he does not get offended by old verses and implied that he has reason to be certain that no one is really feeding into that energy, including Eminem.
It looks like Joe was right. Eminem is definitely not on that right now, but we have to respect him for coming forward and showing accountability with his statement while urging us to refocus on the larger issues at hand today. If Em’s original verses continue to leak like this, he might be releasing these statements more frequently. Perhaps the rapper ought to save the template.
“‘Same Prayer’ is, in part, a prayer for the younger generation to reflect on internally.”
Do not be deceived by the gorgeous vistas of Jamaican mountainscape displayed in the visuals for Chronixx’s “Same Prayer.”
The subtly crafted song is more concerned with navigating the treacherous terrain of humanity’s inner landscape than enjoying the view outside. And it’s definitely not all zen, yoga, and spirulina. “There’s so much good in the world,” Chronixx sings, “and still evil a lurk.” The song finds him beseeching the Almighty (Jah) to protect him and his loved ones (I and I) “from the ones who nuh care ’bout the fact we share the same air / and the blood that we bleed is alike.” In other words, it’s a song for this exact moment—when people are dying every day and nobody seems to have the answers. A time when we all do what we need to do. Seen? By the end of the third verse, Chronixx is left crying a river of tears and hoping Jah Jah hears. Then it’s time to touch the road—”Tuck it inna me waist and start up the bike.” Today Boomshots and VIBE proudly premiere the official visuals for “Same Prayer.”
This is the second song we’ve heard from Dela Splash, the follow-up to Chronixx’s Grammy-nominated debut Chronology. Where “Dela Move” explored fast-forward flows and trap-influenced drum patterns, the newly released Zion I Kings–produced track is grounded within the ancient traditions of the Niyabinghi order.
Judging by the first fruits of Chronixx’s labor, the sonic palette of the new album will be diverse and the mindset noticeably hardened. Sorta like when 3 Feet High & Rising gave way to De La Soul Is Dead. While any similarities between the Long Island rap trio De La Soul and Jamar McNaughton’s beloved De La Vega City may be coincidental, both artists are attuned to Da Inner Sound Y’all.
“‘Same Prayer’ is, in part, a prayer for the younger generation to reflect on internally,” Chronixx explains to Boomshots. “It’s also a reminder that there is a greater power directing things in the physical space.” On the timeless tune “Exodus,” Bob Marley challenged listeners to “open your eyes and look within.” Chronixx approaches his latest release with similar introspection: “Instead of looking for solutions in our material lives,” he advises, “we can both reach out to this higher power and look deep within ourselves.”
The Chron Dada is joined on this one by longtime sparring partner Kabaka Pyramid. “It seems only a divine Power can help humanity at this point,” says Kabaka. “This song is a call to reach deeply within oneself to find that Power, and ask It to guide and protect against the unknown elements along the way. So many things happening in realms that we are not yet able to perceive with our limited senses. Until we reach that stage we must trust the process with faith and determination.”
The creative chemistry between these two artists is bubbling as usual, although Kabaka is better known for rattling off bar after bar of deadly wordplay, “Same Prayer” finds him in a more melodic mood. “Give thanks for this work of art Chronixx,” he says, “I’m glad to lend some smooth vocals to it 😅” Don’t get it misconstrued though, Kabaka’s lyrics are as accurate as ever. When he declares himself to be “confident in the victory,” he’s quoting Haile Selassie I by way of Bob Marley’s classic anti-racist anthem “War.”
Kabaka first met Chronixx in April 2011 while celebrating his earthstrong (Rasta slang for “birthday”) at Protoje’s house in Kingston. “At the time I was recording my first reggae EP Rebel Music,” Kabaka recalls, “and Protoje had given me some beats produced by Chronixx and Teflon (Zincfence). Our mutual respect was instant and still remains years later.” Since then the pair have given us memorable musical moments like “Mi Alright” and “Blessed is the Man.”
“It’s always a joy to collaborate with Chronman because he’s simply a genius in the studio,” says Kabaka. “Everything he does somehow just works. On ‘Same Prayer’ I wrote my verse and he recorded and coached my vocals at Skyline Levels studio. You can give him a lot of the credit for the sweet vocals I delivered—haha.”
Bounty Killer credits Buju Banton and Ninjaman for influencing his early career in dancehall.
Rodney Basil Price, Bounty Killer’s government name, also goes by the monikers, the Grung Gad, The Warlord, and probably the title he wears closest to his heart, The Poor People Governor. There is a reason he was awarded the special title by the people of Jamaica; he never stops going the extra mile for the meek in society. Even with all the fame Killer has attained, he still finds a way to pay homage to the other greats who have helped to pave the way for his success.
While ‘vibing’ with Serani during a recent studio session, Bounty revealed the persons who have helped him to become the household talent he is today. He listed Buju Banton and Ninjaman as the biggest influences on his career.
Before explaining just how both men aided in his success, he gave Serani and other studio occupants a rundown of just how much of an unruly child he was. He recounted that his reign of terror was between the ages of 12 and 16. However, he really began to listen to his father’s teaching to refrain from wayward friendships after getting shot at the age of 14.
As the interview progressed, Bounty Killer can be heard fusing a section of Buju Baton’s 1992 hit “Batty Rider” with his first hit single, “Copper shot.” Bounty used the opportunity to express just how much he admired Buju, and how much of a role Gargamel played in his hit single.
He explained that this was what made it so difficult to address Buju when he dragged the microphone from a then relatively unknown Vybz Kartel[previously named Addi Banton] after Bounty introduced him at Reloaded in the year 2000. “Gargamel the yout dem of today a the man of tomorrow, take time wid them,” he said, reliving the now iconic words spoken 20 years ago.
“Buju ave a lot fi do with my success…the wol a dancehall” he proudly stated. “Buju help me indirectly, Shabba help me indirectly, Ninjaman help me directly,” Bounty said as he listed some of the best to ever do it in dancehall and reggae.
The direct help from Ninja, which Bounty was alluding to, is the hit single between himself and Desmond Ballentine, “Badman A No Cub Scout,” produced by King Jammy’s.
“Him a the only one me get the combo wid. When me need help inna the young days a Ninjaman gimme. And when Jammy’s say voice with me him never think twice. Him a the fuss big artiste wa say yuh wicked Yout!,” explained Bounty.
The Warlord belted out a profound statement to show just how much he respects Ninja Man. “Outa all a the man dem wa me look up to and idolize, Ninjaman a the man.”
Serani interjected by stating that Bounty Killer was his version of Ninjaman, as Killer is the man who motivated him to step away from the mixer and move into the booth and in front of the microphone. Killer stopped the praises being tossed upon him to issue yet another lesson involving Ninja.
“You see when me voice “New Gun” a so me know Ninjaman. Me come from foreign eno dem time de a big tape a run the place. The man come with a big tape and we wa hear Ninjaman reaction so we go out de and say Ninjaman, we have a likkle yout wa have wa bad tune and him say play it. Nuff big artiste woulda gwaan like him no wa rally roun day – no wa play no new yout.”
“Yuh see when the man hear bloodc____t “New Gun” the man nearly mash up him tape. From de so we extra rate him from we see how him gwaan over we song,” Bounty added.
The Killer saw that moment as the reason Ninja delivered such a solid verse on their collaborative effort. He said, “A the last bad song that Ninja record eno… Him put out him bloodc____t heart pon it cause him convince say a wa badboy me a sing wid. Dem time de me a likkle yout not even know how bad me is. A when me grow further and listen back to how Ninja go hard pon me song me realize say yow you did bad yout.”
Bounty then listed another top icon that Ninjaman helped up the rungs of dancehall. “Ninja help Shabba too. Ninjaman money voice,” he said before singing a line from Shabba’s hit track “Needle Eye.”
Freddie McGregor, Christopher Martin and Tessanne Chin are among the cast of entertainers set to grace the stage of Sagicor Group Jamaica’s 50th anniversary concert set for today.
The virtual event, which will be streamed live on the Sagicor’s YouTube, Instagram, Facebook, Twitter pages, as well as on their anniversary website starting at 5:00 PM.
Christopher Zacca, president and CEO, Sagicor Group Jamaica, said the virtual event, which will showcase a talented line-up of reggae and gospel performers, is a celebration of the contributions of the Jamaican people —as clients, shareholders and team members, to the growth of the company.
“We are Sagicor strong because of the Jamaican foundation on which we are built as a company, exemplified by solid values of community and steeped in a culture of camaraderie and goodwill. We have benefited and grown from the loyalty and support of the Jamaican people and this is one of the ways we want to say thank you as we celebrate,” he said.
He added, “Music is such a big part of who we are as a country and always brings us together, which is something we really need at this time. It’s a joy for us to be hosting these musical and cultural ambassadors in concert and I know Jamaicans will have a great time tuning in on Sunday.”
Among the other performers scheduled for the show are Jermaine Edwards, Rhoda Isabella, Carlene Davis, Carey Sales, and Nickika.
Sagicor Group Jamaica commenced its anniversary celebrations on June 1. The company, which was started in 1970 as Life of Jamaica (LOJ) by founder and current director emeritus R Danny Williams, was the first locally owned life insurance company and the first life insurance company to be listed on the Jamaica Stock Exchange.
Tekashi 6ix9ine outed Snoop Dogg as an undercover snitch, claiming he’s a known police informant, and now Snoop is forced to respond to the claims.
Tekashi 6ix9ine has not taken lightly to Snoop Dogg’s recent criticism, and he is now threatening to take down the Godfather of Rap, but Snoop is not going down easily. It has been a week that 6ix9ine has officially been back in the hip hop game after spending the last few months behind bars. But not everyone is pleased. Snoop Dogg is among the notable names who have labeled Tekashi as a snitch as he agreed to a deal with prosecutors that saw him testify against his Nine Trey Gangsta Blood members to receive a reduced sentence.
“They gotta stop pushing this [rat],” Snoop wrote on IG in response to hip hop journalist, Elliott Wilson, who featured the convicted rapper after he released his new single, “GOOBA.” “All these media outlets making snitching cool. I’m old school. F*** 69 and everybody pushing his line right now all New York GZ feel me on this and if you don’t f*** u2.”
Tekashi 6ix9ine is now taking shots of his own by alleging that Snoop is not as innocent as he seems and that those in glass houses shouldn’t throw stones. Insinuating that the “Qué Maldición” rapper has also been an informant in the past, the 24-year-old posted a poll to his Instagram Story asking his followers to vote on “Should I just tell you guys what rappers snitched… Because they told me everything when I started.”
He also tagged Snoop with the ominous line, “hey sir let’s chat.” When The Shade Room posted a screenshot to their own IG, the “BEBE” rapper wrote in the comments, “If your in denial the paper work is online and suge knight speaks on it from prison but we choose to ignore who we want to call rats.”
Snoop has now responded by reposting a video from rapper Omar Ray in which he states, “It’s two things silky ain’t never seen: A turtle with speed, and a monkey-mouthed, knock-kneed, trout-mouthed, b**** I need.”
Snoop deemed the clip to be a mere public service announcement. “Posting this is not gonna distract everyone that you are trying to play it off. Explain yourself,” 6ix9ine declared in the comments.
Snoop Dogg didn’t take too kindly being called a snitch by Tekashi 6ix9ine, who is the self-proclaim rat of hip hop.
NotNice assembled a star-studded lineup for a Jamaican tribute anthem, “We Are.”
It is said that the heart of a country is truly judged and weighed by how it responds to threats and disasters. Much like other nations, the relatively small, island paradise called Jamaica is battling the effects of the global COVID-19 pandemic on all fronts. The government has doubled down on its efforts to help Jamaicans to whether the storm in various ways. They have engaged their defense to the economic strains by activating the country’s disaster relief fund; new measures to control how we interact with each other in a public space have been implemented to flatten the curve of viral transmission and educating the nation has now been moved online. However, there was still work to be done on boosting morale and confidence in the country’s ability to be able to withstand the pressures of a global meltdown.
One Jamaican producer is leading the charge in this department by bringing together 15 of Jamaica’s biggest and most soothing voices for one song. Ainsley ‘Notnice’ Morris unveiled “We Are” mere hours ago, and it is already getting the praises it deserves.
We are strong, we are courageous, we are great, and we can make it through every single thing are just some of the uplifting comments uttered by the likes of Romain Virgo, Jah Cure, Tarrus Riley, Tessanne Chin, Richie Stephens, Nordia Mothersille, Julian Marley, Sanchez, Jah Vinci, Etana, Jesse Royal, Richie Spice, Maxi Priest, Wayne Marshall, and Khalia.
The moving rendition was aided along its path to upliftment through a touching compilation video. The images and shots curated by Shane Creative from Wikid Media capture average Jamaicans trying to make it through this new normal. However, there are also a few shots of Jamaica at its finest hours, whether it is our lush green fauna or our athletes setting the sporting world ablaze. Jamaica is a utopia and with creative minds, selflessness and determination, We Can make it out of this disaster with her heads held high and with a greater sense of unity.
It seems Gaza fans will be getting more than expected from Vybz Kartel’s upcoming album, Of Dons and Divas.
The dancehall deejay cosigned a post made on Instagram by known Gaza supported Shemar Mckennon. The post spoke to the upcoming project set to be released in June. According to Mckennon, fans should “Look out for a Brand New Collaboration Song between Vybz Kartel, Jucee Froot and Tommy Lee Sparta that is going to be on Vybz Kartel New Album.” Vybz Kartel cosigned the message via a reply, which stated, “And @skillibeng.” Fans of both Vybz Kartel and breakout artiste Skillibeng expressed their delight at the revelation made by the Worl’Boss.
The additional song should definitely serve as a treat to fans who are already getting 15 tracks with collaborations from the likes of ft Sikka Rymes, Lisa Hyper, Daniiboo, Daddy1, Teejay, Squash, Likkle Vybz, Likkle Addi, Slimatic, Spice and Lisa Mercedez. The album’s format sees 7 tracks being placed in the category of Divas. Meanwhile, the remaining 8 tracks speak to the Dons.
While the outline of the album seems to be well thought out, it should be interesting to see how all 4 artistes work together on the new track, of which the title is still uncertain.
Tommy Lee is known for his unique chants as well as his ability to switch flows and delivery, which makes him perfect for almost any project. This should prove well in transitioning to another talent such as Vybz Kartel, who also possesses the ability to maneuver over almost any beat. East Syde Records artiste Skillibeng, has proven himself to be a worthy player in the dancehall game. He has already churned out hits with songs such as “50 Bag,” and his breakout hit single “Brik Pan Brik.” His delivery could prove useful in transitioning to female rapper Jucee Froot.
Jucee Froot has been a member of Birdman’s Rich Gang in 2017. While it is still unclear if she is a part of that team, she did recently secure a deal with Loyal 100 Ent and Atlantic Records. The 25-year-old Memphis rapper released her “Black Sheep” mixtape earlier this year, which featured the likes of A Boogie Wit da Hoodie, Juicy J, and Rico Nasty.
So far, fans have not been blessed with any other information about the track or the album, but they are already gassed for its release. “I didn’t know Christmas was in June,” commented one person.
There were also comments aimed directly at the recently announced collaboration. “Beautiful Collaboration. Keep it up ma people, Jamaica/Ghana forever,” said one person.
The mega collaboration could find its place towards the end of the album to provide a lasting effect, or in the middle to provide the bridge between Dons and Divas. It could be used to kick start the project.
New York-based label Synthdicate Music marks their return to the music scene after two years with the release of Rankin Skankin. It was released on May 8.
The 11-song compilation album contains singles by Capleton (Rastafari Guide), Fantan Mojah (Survive), Lutan Fyah (Turning me On), Qshan Deya (Anhilation), Jah Thunder (Black ah Kill Black), and Turbulence (Be my Bonafide).
Artistes for the project were selected by Victor “Dj Future” Wells and Jason “Firestorm” Bevans, two of the partners in Synthdicate Music.
“All the artistes on the album are Rastamen and all the songs have meaning. Capleton starts off the with Rastafari Guide talking about unity and having positive vibrations. Fantan Mojah and Qshan Deya sing about the times with the coronavirus situation. Lutan Fyah and Turbulence represent for the ladies. So, this album has something for everybody,” said Bevans.
Rankin Skankin is the follow-up to the High Rise rhythm which was the Long Island-based Synthdicate Music’s first dancehall effort. Capleton and Fantan Mojah also contributed songs to that beat.
Bevans is from Belize, while Victor Wells, Kerneil Wells, and Dwayne Daniels, the other production principals in the company, are from Trinidad and Tobago.
Synthdicate Music formed in 2016. Prior to High Rise, they released several soca songs for Trinidad Carnival.
